Veteran strategy
Seven years on the ad floor decides what gets made. Strategic clarity is the first thing we deliver — usually before contracts are signed.
Principles
Seven years on the ad floor decides what gets made. Strategic clarity is the first thing we deliver — usually before contracts are signed.
Live-action craft from people who shot real TVCs. Synthetic enhancement from people who built the tools. Two halves of the same brain.
Proprietary software runs the production floor. Files don’t get lost. Approvals don’t stall. Weeks compress into days.
Budget goes to story, not status. We replace agency overhead with engineering and put the savings on screen.
How we think
Too traditional is slow.
Briefs take weeks to crawl through legacy production. Budgets evaporate into overhead.
Too techy is soulless.
Pure AI shops produce volume, not stories. The work looks the same as everyone else’s.
Bark is the middle ground.
Veteran taste, engineered output. The judgment is human; the speed is software.
Timeline
First year on an agency ad floor. Brand strategy, client-side, in-market.
Campaign work at scale. Production — not ideas — is always the bottleneck.
Started building generative tooling in the gaps between briefs.
Bark Studio opens in Cape Town, with that pipeline as the floor rather than an add-on.
Co-founders
Bark Studio is run by the two of us, with a small team of specialists working behind us. That structure is the reason a brief turns around in days — the people who scope the work are the people who make it.

Six years managing art gallery and studio spaces gave Björn the eye the studio runs on — what to hang, what to cut, how a body of work reads together. He runs the generation floor with Mark, building the prompt systems and reference libraries behind every frame, and owns marketing and brand voice end to end. New business runs through him too, so the person selling the work is the person who knows how it gets made.

A software engineer with six years behind him and a graphic design background before that, Mark owns everything technical in the studio. Every custom workflow on the floor is his: the model orchestration, the character and style systems, the prompt scaffolding that makes a look reproducible on demand rather than chased again. He builds the studio’s own software, and runs its administration.
And the people behind the work.
Years across advertising and photography sit behind the team, and post is theirs: the edit, the grade, the delivery. Generated footage arrives raw and inconsistent, and the work of making it read as one film — cut rhythm, colour continuity, spec-correct masters for every platform — falls to them. Every deadline on the board is measured against their delivery window.
Work with us